What Screenwriters Get Wrong With Producer Notes – Mark Sanderson

Film Courage: Mark you added off-camera some interesting tidbits about writers that you were surprised by?

How To Develop A Movie Idea In 10 Minutes – Van Ditthavong

Film Courage: Van if we were going to get a seven minute lesson from you on writing...

Best Way To Start A Screenplay Is To Write The Logline – Zach Zerries

Film Courage: Does your process change every time you write a screenplay or has it evolved where...

Does The Hero In A Hollywood Movie Always Have To Win? – Mark Sanderson

Film Courage: What do you think about when you’re creating a protagonist versus an antagonist?

What Makes A Surprise Movie Ending Work? – Travis Seppala

Film Courage: What is connectivity in a screenplay? Why is that important? Travis Seppala,...

Writing A Treatment And Synopsis For A Screenplay – Shane Stanley

Film Courage: What if someone doesn’t know the difference between a synopsis versus a treatment?

Finishing 1 Screenplay Is Better Than Starting 10 – Naomi Beaty

Finishing 1 Screenplay Is Better Than Starting 10 - Naomi Beaty

How To Protect A Screenplay — Shane Stanley

Film Courage: How does a writer protect themselves from being taken advantage of? Shane...

Page 1 Script Analysis For ‘A California Christmas’ with Director Shaun Paul Piccinino

Film Courage: Shaun I’m hoping we can go to page one of your script for A CALIFORNIA...

Storytelling and The Age Of Aquarius – Pamela Jaye Smith

Watch the video interview on Youtube here Film Courage: Pamela, I find it interesting that we’ve enter this...
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