What Screenwriters Get Wrong With Producer Notes – Mark Sanderson
Film Courage: Mark you added off-camera some interesting tidbits about writers that you were surprised by?
How To Develop A Movie Idea In 10 Minutes – Van Ditthavong
Film Courage: Van if we were going to get a seven minute lesson from you on writing...
Best Way To Start A Screenplay Is To Write The Logline – Zach Zerries
Film Courage: Does your process change every time you write a screenplay or has it evolved where...
Does The Hero In A Hollywood Movie Always Have To Win? – Mark Sanderson
Film Courage: What do you think about when you’re creating a protagonist versus an antagonist?
What Makes A Surprise Movie Ending Work? – Travis Seppala
Film Courage: What is connectivity in a screenplay? Why is that important?
Travis Seppala,...
Writing A Treatment And Synopsis For A Screenplay – Shane Stanley
Film Courage: What if someone doesn’t know the difference between a synopsis versus a treatment?
Finishing 1 Screenplay Is Better Than Starting 10 – Naomi Beaty
Finishing 1 Screenplay Is Better Than Starting 10 - Naomi Beaty
How To Protect A Screenplay — Shane Stanley
Film Courage: How does a writer protect themselves from being taken advantage of?
Shane...
Page 1 Script Analysis For ‘A California Christmas’ with Director Shaun Paul Piccinino
Film Courage: Shaun I’m hoping we can go to page one of your script for A CALIFORNIA...
Storytelling and The Age Of Aquarius – Pamela Jaye Smith
Watch the video interview on Youtube here
Film Courage: Pamela, I find it interesting that we’ve enter this...
- Advertisement -
