Film Courage:  So how does a screenwriter set up a pitch meeting with an executive?  Is it just “Oh, let me go on IMDB...

10 important lessons on the craft of screenwriting... 1) 0:06 - Story or Character? 2) 0:46 - How To Build Empathy 3) 4:48 - A Participatory Experience 4)...

Film Courage:  Lee what do writers need to know about writing for television? Lee Jessup:  A lot…writing for television, it’s a corporate job, really in...

Film Courage:  We have a lot of screenwriters that watch this Youtube channel and they have screenplays that they (of course) want made into...

Film Courage:  Novel structure versus screenplay structure?  How are they different? How are they the same? Jennifer Brody:  I think that there is a lot...

Film Courage:  Danny, we just want to start by saying that we have a lot of screenwriters and other artists that watch our channel...

Film Courage:  Since Writing for the Green Light which was published in 2014 or? Scott Kirkpatrick:  2015. Film Courage:  2015…okay.  Has your personal opinion wavered...

Film Courage:  What were some common clichés (at that time) which you were seeing in these scripts? Daniel Calvisi:  Well, some big mistakes from scripts...

Film Courage:  What’s the definition of high-concept?  Sometimes I struggle with it myself. Then I hear and go “Okay” and then I forget again. Gary...

Film Courage: Would you say you still spend 300 days a year writing EMPIRE? Danny Strong:  No.  I was the first two seasons of EMPIRE....
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