Shannan E. Johnson: Even if you don’t understand story structure you feel it.
Michael Hauge: This is the foundation of how you create that emotional experience for the audience or for the readers.
Alan Watt: Your protagonist goes through a series of experiences that lead to a transformation.
Eric Edson: Everything in the story must keep changing.
Jill Chamberlain: Point of no return is the one moment that’s external to the character.
Adam Skelter: Which is a very specific thing that happens once in the screenplay.
Daniel Stamm: The clock isn’t ticking quite as fast yet.
Paul Gulino: It has four 15-minute scripts that each one builds on the last.
Naomi Beaty: That’s one of the things that confuses people when they’re trying to learn about the 15 beats.
Gary Goldstein: You’re writing a 120-page script or it’s…(Watch the video interview on Youtube here).
1) 0:00 – Intro
2) 1:44 – 3 Act Story Structure
3) 3:07 – 4 Act Story Structure
4) 7:16 – 4 Archetypes
5) 10:28 – B.M.O.C.
6) 16:26 – Michael Hauge’s Six-Stage Plot Structure
7) 21:28 – 7 Act Story Structure
8) 29:14 – 7 Step Story Process
9) 36:45 – Jill Chamberlain’s The Nutshell Technique
10) 45:45 – 8 Sequence Approach
11) 53:47 – Jule Selbo’s 11 Step Structure
12) 57:08 – 12 Sequences
13) 1:01:11 – 12 Beats
14) 1:05:35 – Story Maps
15) 1:09:51 – Save The Cat
16) 1:23:41 – The Hero’s Journey
17) 1:27:29 – Daniel Stamm’s Overview Of Classic Story Structure
18) 1:34:20 – Eric Edson’s Story Solution – 23 Actions All Great Heroes Must Take
19) 1:40:25 – Sequence Proposition Plot
20) 1:50:38 – Story Structure In 3 Words
21) 1:55:04 – Television Structure
22) 2:09:41 – Short Film Structure
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