This series includes:
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00:00 – Intro
00:30 – Scott Kirkpatrick, Director of Distribution at MarVista Entertainment
00:35 – Justin Trevor Winters, Killing Winston Jones
00:52 – William C. Martell, Steel Sharks, Crooked
01:04 – Peter Russell, How Movies Work
01:32 – Lee Jessup, Getting It Write
01:55 – Vicki Peterson & Barbara Nicolosi, Notes To Screenwriters
03:17 – Richard Walter, UCLA Screenwriting Chairman
04:58 – Lee Jessup, Getting It Write
05:38 – Justin Trevor Winters, Killing Winston Jones
06:17 – William C. Martell, Steel Sharks, Crooked
07:09 – Ross Brown, Step by Step, The Cosby Show
08:40 – Scott Kirkpatrick, Director of Distribution at MarVista Entertainment
09:26 – Thunder Levin, Sharknado, American Warships
12:06 – Peter Russell, How Movies Work
12:42 – Justin Trevor Winters, Killing Winston Jones
12:56 – Peter Russell, How Movies Work
13:20 – Lee Jessup, Getting It Write
14:21 – Steve Kaplan, The Hidden Tools Of Comedy
14:37 – Thunder Levin, Sharknado, American Warships
16:04 – Justin Trevor Winters, Killing Winston Jones
16:21 – William C. Martell, Steel Sharks, Crooked
17:41 – Lee Jessup, Getting It Write
17:57 – Steve Kaplan, The Hidden Tools Of Comedy
19:43 – Thunder Levin, Sharknado, American Warships
21:38 – Vicki Peterson & Barbara Nicolosi, Notes To Screenwriters
22:49 – Peter Russell, How Movies Work
23:37 – Richard “RB” Botto, Stage 32 CEO / Founder
24:19 – Peter Russell, How Movies Work
25:16 – Curtis Ray, Juvenile Justice 101
25:40 – Steve Kaplan, The Hidden Tools Of Comedy
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This series includes:
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00:00 – A Revelation In Story Structure I Wish I Had Learned 10 Years Earlier by Michael Hauge
00:55 – Why Most Screenplays Are Bad by Peter Russell
01:34 – How To Make An Audience Care About Your Characters by John Truby
04:01 – A Common Mistake Screenwriters Make When Developing Their Characters by Steve Kaplan
06:51 – What Must Happen In The First 10 Pages Of Every Screenplay by Michael Hauge
08:50 – Why Most Screenplays Are Bad by Peter Russell
10:28 – The #1 Most Important Element Of Developing A Character by John Truby
12:27 – Unlocking The Secret To Story by Michael Hauge
15:16 – An Example Of A Wounded Hero Given A Chance To Change by Peter Russell
20:41 – A Couple Of My Hidden Tools For Comedy Writing by Steve Kaplan
21:44 – First Step In Writing A Screenplay by Peter Russell
24:02 – Screenwriting Gold For Any Screenwriter by Zoe Cassavetes
25:03 – First Step In Writing A Screenplay by Peter Russell
26:28 – The Audience Wants To Feel An Emotional Connection With Your Movie by Michael Hauge & Mark W. Travis
30:21 – The #1 Tip To Writing Likable Characters by Steve Kaplan
35:49 – Perfect Characters Must Have Flaws For An Audience To Like Them by Peter Russell
38:20 – A Couple Of My Hidden Tools For Comedy Writing by Steve Kaplan
39:38 – How To Direct A Great Scene by Mark W. Travis
42:59 – How To Write A Great Scene by Michael Hauge
46:51 – Casting For A Reality TV Show by Troy DeVolld
48:06 – The Answer To What Characters Want by Michael Hauge & Mark W. Travis
50:40 – Screenwriting Structure And Conflict Tips For Screenwriters by Steve Kaplan
53:22 – Casting For A Reality TV Show by Troy DeVolld
54:28 – When Evil Characters And Good Characters Cross Paths by Pamela Jaye Smith
58:01 – Tips On Writing A Villain Character by Thunder Levin
59:56 – The Power Of The Darkside: When A Good Character Turns Bad by Pamela Jaye Smith
1:03:32 – Writing The Ultimate Evil Character by Pamela Jaye Smith
1:06:26 – The Formula For Writing A Great Comedy Script
1:12:23 – Screenwriting Analysis That Can Help A Screenwriter Improve Their Screenplay by Michael Hauge & Mark W. Travis
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