Connect with us

Hi, what are you looking for?

Film CourageFilm Courage

Screenwriting

What Screenwriters Should Know About Executives – Shannan E. Johnson

Watch the video on YouTube here.

Film Courage: Shannon, was it your goal to become a studio executive?

Writer/Instructor and Script Consultant Shannan E. Johnson (The Professional Pen): In the beginning of my career I was a development and current programming executive on the television side. Once I left and I went off to do Broadway national tours and I was doing dance companies and all this other stuff that has absolutely nothing to do with writing, when I came back to Hollywood it was my intention to get back into development, whether that was at a network or a studio or at a smaller production company. I was pretty open but I realized that I liked to work in the area where you take people from idea to production. I probably would have stayed in development but it would not have necessarily been at a network or studio or a production company, just wherever I felt like I would be able to come in and actually be seen and used as a person with all of the knowledge that I have to offer. This can be hard when you go on any job, you want to make sure that you’re able to bring something to the table. I was looking forward to being able to do that, obviously it didn’t go that way. That’s how I ended up back into the kind of script consultant area. 

Film Courage: How did you become a studio executive? 

Shannan: Back in the day there used to be a program called the Entertainment Associates Program at NBC Universal. A lot of people know about fellowship programs for screenwriters but they’re also used to be programs for people who are interested in being executives. Now there are a few more…(Watch the video interview on Youtube here). 

CONNECT WITH SHANNAN E. JOHNSON 

Awriterforyourwriter.com 

Facebook.com/TheProfessionalPen 

Twitter

Instagram.com/theprofessionalpen 

LinkedIn

About Shannan:

After grad school I became a junior creative executive at NBCUniversal at the Syfy Channel. I was there for the rebrand. Remember Sci Fi? Yeah, not really. Anywho, it was my job to help writers and producers take their ideas from pitch to production. I co-exec’d on Alphas, Being Human, Haven, Sanctuary, Warehouse 13, and more Syfy dramedies. This is how I honed my skill in all stages of the screenwriting process…(read more here).


Advertisement – contains affiliate links 

(As an Amazon Associate I earn from qualifying purchases)

See it on Amazon here

More affiliates:

Camera we use for interviews – https://buff.ly/3rWqrra

Editing system – https://goo.gl/56LnpM

Sound we use for interviews – https://amzn.to/2tbFlM9

Other books on Amazon that Film Courage recommends – https://buff.ly/3o0oE5o

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

You May Also Like

Authors

  [Watch the video interview on Youtube here] Christopher Vogler, Hollywood development executive, screenwriter, author and educator: The first stage is The Ordinary World. You need to introduce...

Business of Film

  [Watch the video interview on Youtube here] Film Courage: Shane, by the time you’d finished what the fifth grade you’d already had a hundred...

Authors

The Mentor, Shape Shifter and more.

Screenwriting

Every character thinks they are the center of the story.