Film Courage: Never let anyone tell you that a story has already been told?
Jeff Kitchen, Dramatist / Author / Founder / Consultant: That’s a fun one. It goes back to being a bull in a china shop as a writer, that your attack as a storyteller is so key to succeeding as a writer. Lazy writing, limp writing — it’s often so forgettable and the key word in the entertainment industry is outrageousness. People go to the movies or watch a TV show or go to the theater to see something extraordinary, something different, something energizing, something fun or exciting or meaningful or cathartic. It has to do with a rebellious streak where many people have heard the saying There is nothing new under the sun, Every story’s been told, There’s only seven basic stories or three basic stories (or whatever) and part of me completely understands that and part of me — that just…(Watch the video interview on Youtube here).
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Related videos:
Every Story Is About A PROBLEM — Erik Bork
Is It Important For A Writer To Know A Story’s Theme Before Writing? by Karl Iglesias
The Stakes In Every Story Are Always Life And Death — Alan Watt [Founder of L.A. Writers’ Lab]
A Great Idea Doesn’t Make You A Writer — Shannan E. Johnson
How Do You Tell A Great Story? by John Truby
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This is the third feature from Writer/Director Scott Dunn and Producer Gina Gomez Dunn. They successfully raised funds for the sequel via Kickstarter and managed to complete production only 2 days before all film productions shut down due to the pandemic. Because of the lockdowns, Scott Dunn had to tackle post-production by himself (editing, color correction, effects, and sound) and release the flick in time for the holidays.
.png "The TV Writer’s Room by Peter Desberg and Jeffrey Davis of SHOW ME THE FUNNY")
