Film Courage: Do facts make good stories?
Jill Chamberlain, Script Consultant/Author/Writer: Facts are tricky. I think the hardest stories to break are ones that are based on real-life events.
I have a philosophy a little bit with my students and clients that when it comes to research I say Wikipedia It And Be Done! The more you know sometimes is a problem actually. Now that is going to work with some stories better than others. You can have a lot more freedom if you’re going to write about William Wallace where there are very few written records at that time and you can have an enormous amount of freedom with something like BRAVEHEART because we knew very little about the man. Versus if you are going to do a story about Elton John, someone who is actually living and whose facts a lot of us know…(Watch the video interview on Youtube here).
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Jill Chamberlain is the author of one of the highest rated screenwriting books on Amazon entitled The Nutshell Technique: Crack the Secret of Successful Screenwriting.
Jill Chamberlain’s book from University of Texas Press, The Nutshell Technique: Crack the Secret of Successful Screenwriting, is now available on Amazon and in fine bookstores everywhere. Of the over 3,000 books on screenwriting on Amazon, The Nutshell Technique ranks #1 in user ratings. Since its publication in 2016, the book became an instant classic and the go-to manual many professionals swear by. The book is on the syllabus for courses at University of Houston, University of Notre Dame, and the world renowned screenwriting program at Columbia University. The technique comes from Jill’s years of consulting and coaching, and she continues to use this methodology to hone screenplays into truly compelling stories.
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Scriptapalooza Screenplay & Shorts Competition. Over 90 producers reading. $50,000 in prizes.
Coverage, Ink – Screenplay Analysis, Development and Editing.
UNARMED MAN Movie – Winner of the HBO best feature award. Called “absolutely stellar” by Film Threat. Civil unrest erupts after a Police Officer shoots and kills an unarmed man. Forced to give a statement, the Officer recounts his version of events in a scathing examination of fear and violence by writer/director Harold Jackson, III