3 Things A Writer Has To Put Into A Romantic Comedy by Author Pamela Jaye Smith

Watch the video interview on Youtube here


Film Courage: Let’s say a writer decides they would like to a romantic comedy and [the desire to write] it’s not just for the “market,” but for their own catharsis or need to tell stories. So what should they know before they even put one word down on the page about writing romantic comedies?

Romantic Comedies: These Films Can Save Your Love Life! by Pamela Jaye Smith

Pamela Jaye Smith: I think in writing romantic comedies, one of the most important things to remember is that it’s a 3-part trip. Now not necessarily 3-acts. But there are three things that need to happen. This is the genre: boy meets girl, boy loses girl, boy gets girl back, you gotta have all that. Or it can be girl meets boy, girl loses boy, girl is a boy, girl meets girl whatever. But you need to have that initial spark that we see them feeling for for each other and we go “Yeah, there’s something there” even if it’s they’re both fighting it, right? “No…wow…you’re not my type!” “Oh no, I’d never go with but you.” You know, oh yes sparks are flying and then there is that split and it looks like it’s over and then we spend quite some time watching one of them (at least) try to figure out how to get the other person back.

So it’s that struggle (if you will) to regain or to claim what you saw in that first part of the film. And then the third part is the re-engaging and seeing how that works. Now in romantic dramas the third part might not end well. It might be a tragedy and they don’t get together but even then you want to feel that you know what they have lost. Now in a romantic comedy we want them to get back together this…(Watch the rest of the video here on Youtube).


Watch the full series here on Youtube



These Films Can Save Your Love Life!”








Batman fans! Watch the campaign video here on GoFundMe and check out the story behind the music from the 1966 “Batman” Television Series

THE BEAT OF THE BAT is a full-length documentary that tells the story of the music of the 1966 “Batman” Television Series and how composers Neal Hefti, Nelson Riddle & Billy May gave Batman his first real musical identity- and one that has remained inexorably tied to the character for over 50 years!

In fact, if you saw the just released “Lego Batman Movie” you might have noticed the numerous references to the music of the TV series.

And face it, you can go up to anyone, anywhere in the world and sing “Na Na Na Na Na Na Na Na!” and they will instantly know what you are talking about!

The music was as important to the show as the bright colors, campy dialogue and tongue-in-cheek performances. Yet, strangely, the story of how it came to be has never been told… Until now.



Watch EXODUS on iTunes starting April 18th, 2017

EXODUS documents the journey of Syrian refugees as they cross the Aegean Sea from Turkey into Greece. In the winter of 2015, over three thousand refugees attempted this treacherous crossing everyday, all in hope of seeking asylum in the European Union. It’s a life and death gamble that they are willing to take, all for a chance at a new life away from their war-torn homeland.




Watch FREAK OUT on iTunes here!

FREAK OUT: Matan, a soldier in the IDF, sets off for a week of patrolling in a remote base in the north of Israel with three soldiers whom he doesn’t know. As the week progresses, the soldiers begin to question whether they will come out of this experience alive.






THE HOLLY KANE EXPERIMENT: An obsessive psychologist attempts to reprogram her subconscious mind, but when her actions become increasingly uncharacteristic she fears her experiment is dangerously out of control.






Watch the video here about filmmaker Roee Messinger and his desire to create this powerful documentary film

AMERICAN TRIAL seeks to discover what a trial in the Eric Garner case might have taught us. How is our legal system designed to handle cases such as Garner’s? What verdict may have been returned after all the evidence was presented? More importantly, what conversations, perspectives and emotions went unexamined because of the grand jury’s decision?

Similarly to fiction courtroom dramas, the lead characters of this documentary will be the attorneys leading the prosecution and the defense. Our camera will capture them as they develop their public arguments and individual positions. How do they decide which witnesses to summon? How do they prepare for their court appearance? Are there any discrepancies between their systemic role and their true feelings regarding the case?

The film will also follow a news crews covering the trial and reporting on race relations in America within the context of the trial and the movement for black lives. They will travel across America to discover what public figures, intellectuals and activists think about the Eric Garner case, as well as other similar cases through the prism of racial relations in the United States.