Cinematography & Cameras

Filmmakers Talk Cameras and Gear

This playlist includes the following videos – if you’d like to share your camera experience, please contact FilmCourage.com here.

(Watch the videos on Youtube here)

A First Time Filmmakers Experience With A RED Epic by Jack Marchetti

Cinematographer Pipas Forjaz Shares His Experience Working With RED Cameras
Over The Last 7 Years

Pros and Cons of the RED 6K DRAGON by Pascal Payant

4 Reasons To Buy A Panasonic GH4 Camera by Ryan Haggerty

Why I Bought A Black Magic Camera Over Renting A RED Camera (includes test footage)

Canon C300 Is The Best Camera I’ve Ever Used For Natural & Available Light by Dean Peterson

iPhone Filmmaking Advice by TANGERINE Filmmaker Sean Baker

Recording Sound with a Zoom H6 and Rode NTG3 on a Movie Set by Justin Arbabi

How To Get The Best Sound On A Movie Set by Production Sound Mixer Mark Ulano of THE HATEFUL EIGHT

OZO Is The Right Virtual Reality Camera At The Right Time by Guido Voltolina

Virtual Reality Gives People The Chance To Revisit The Past by Guido Voltolina

Blackmagic URSA on the DEADLY REUNION Movie Set

What It Was Like Being One Of The First Filmmakers To Use The RED Camera by Mike Hedge

Best Tips For Taking Care Of A Movie Camera by A.J. Rickert-Epstein

Passing A Camera From Car To Car While Filming A Car Chase by Gareth Evans & Iko Uwais of THE RAID 2

DSLR Tips For Filmmakers by Kevin Knoblock

The Best DSLR Tips For Beginners by Andy Gillies & Joe Haas

Filming A Movie With Two Red Cameras by Dan Mirvish

We Shot QUICK TO DUCK On The Red Camera With A 4 Person Crew by Robin Mountjoy

Why I Bought A Red Scarlet by Ryan Koo

 

I Can’t Wait To Try The Black Magic And C300 by Nicolas Alcala

No One Thought The Digital Bolex D16 Was Possible by Elle Schneider & Joe Rubinstein

Comparing The Digital Bolex D16 To DSLR Cameras by Elle Schneider and Joe Rubinstein

100 Changes To The Digital Bolex D16 by Elle Schneider & Joe Rubinstein

How We Are Keeping The Cost Down On The Digital Bolex by Elle Schneider & Joe Rubinstein

Fixed Focus Fixed Aperture Lenses For Digital Bolex D16 by Elle Schneider & Joe Rubinstein

Expect Hidden Features With Digital Bolex D16 Release by Elle Schneider & Joe Rubinstein

An Unforgettable Camera Trick Used In A Horror Film by A.J. Rickert-Epstein

Filming A Movie On An iPhone – Lessons from TANGERINE Filmmaker Sean Baker – Full Interview

Nobody Knew We Filmed TANGERINE With An iPhone Until After Its Sundance Premiere by Sean Baker

Why I Decided To Shoot My 5th Feature Film On An iPhone by Sean Baker

Shooting A Feature Film On A Canon T2i by Tom Sachs of A SPACE PROGRAM

Canon C100 Was The Perfect Camera For A Debut Feature (And To Capture Clowns) by Evan Kidd

Affordable Filmmaking Gear For Beginning Filmmakers by B.L. Garrett

What Filmmakers Will Love About The OZO Virtual Reality Camera – Full Interview with Guido Voltolina

Top 4 Reasons I Bought A Black Magic Production Camera For My Next Movie by Kyle Valle

Why I’m Excited To Film My Next Movie With The Canon C300

and Nikkor Lenses by Oscar Robles

Why We Filmed Our Web Series On A Canon C100 by Kalani Hubbard

Blackmagic Production Camera Is A Great Camera For First Time Filmmakers

by Michael Matteo Rossi

Canon 7D: Shooting A Music Video by Val Borovinskiy

Canon 7D: Shooting A Sci-Fi Horror Film (Lenses Included) by Christopher Moonlight

 Shooting A Movie On A RED Epic Dragon by Dana Brawer

Tips On Raising Money For A Movie by Will Addison & Ben Matheny

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