If You Don’t Have The Enthusiam Of The Distributor, You’re Dead by Ted Kotcheff

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is in Theaters now. For listings please check here.

WAKE IN FRIGHT opens on October 19, 2012, at Landmark’s Nuart Theatre in Los Angeles for a one-week engagement.  Filmmaker Ted Kotcheff will appear in person on Friday, October 19, and Saturday, October 20, at the 8:15pm shows each night.  The film also is opening in select U.S. engagements throughout Fall 2012.






Alongside Mad Max and Walkabout, WAKE IN FRIGHT is widely acknowledged as one of the seminal films in the development of modern Australian cinema. Directed by Ted Kotcheff (Rambo: First Blood) and starring Donald Pleasence, Gary Bond, Chips Rafferty, Sylvia Kay and Jack Thompson, the film tells the story of a British schoolteacher’s descent into personal demoralization at the hands of drunken, deranged derelicts while stranded in a small town in outback Australia. Virtually unseen in the United States and renowned in its home country after years of neglect, WAKE IN FRIGHT is ripe for rediscovery and returns to cinemas, including this Nuart engagement.

WAKE IN FRIGHT originally made its debut at Cannes in 1971, where it earned a Palme D’Or nomination. The film made its return to the festival in 2009 courtesy of guest-curator Martin Scorsese, following the completion of a comprehensive restoration. It was there where WAKE IN FRIGHT held the honor of being one of two films to have been shown twice in the history of the festival. The film is lauded for its stark and uncompromising vision by champions such as Roger Ebert who said WAKE IN FRIGHT is “powerful, genuinely shocking and rather amazing,” and celebrated musician/songwriter/screenwriter Nick Cave, who said the film is “the best and most terrifying film about Australia in existence.”

Believed to be lost for many years, WAKE IN FRIGHT was restored after an exhaustive decade-long search for original film elements. Fortuitously, the negative was unearthed in Pittsburgh, PA, in canisters marked for destruction just one week away from its impending incineration. The materials were then restored frame-by-frame at Sydney’s At Lab Deluxe with the aid of the National Film and Sound Archives of Australia.