With Eastman Kodak filing for bankruptcy, the writing seems to be on the wall for the future of “film” as the primary medium in an increasingly digital world. But before we get too excited about a digital future, there are some valuable lessons to be learned from the last one hundred plus years of film history.
There have been a lot of conversations and debates about the value of film festivals for filmmakers, especially in this current era of instability and change in the entertainment industry. Flyway has been bringing it from the heart for filmmakers since 2008.
This has been an encouraging year for the spirit of independent filmmaking. Despite a slow economy and shaky entertainment industry foundations, there are still countless aspiring and seasoned filmmaking teams knocking at it day after day, making films, telling stories and fostering independent film communities.
Navigating the High Seas of 21st Century Filmmaking we encounter new troubles, new tools, and a new breed of filmmakers. So let's board this ship and make our way through these uncharted waters together shattering illusions and barriers surrounding the "Film Industry" along the way.
Image by TAOX {w/ victrola courtesy of Takkk CC 3.5/GNU 1.2 license}
The art and craft of music and sound for film is nothing short of magic.
It can weave story and image together in a rich tapestry that stirs emotions and creates an enduring impression upon audiences. Great music and sound can heal many “wounds” in a “less than magnificent” film, but bad sound will immediately jar the viewer out of their comfy suspension of disbelief.
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