People Love Story More Than Anything Else by Houston Howard

Watch the video interview on Youtube here

People Love Story More Than Anything Else by Houston Howard

 

Film Courage: What is churn rate?

Houston Howard:  Churn rate is how soon quickly people get sick of something.  So a kid will play with a toy for 5 minutes and then get sick of it and move to something else.  That’s churn rate and the faster the churn rate the worse it is because people get sick of your stuff in a much quicker rate.  You’re flipping through the channels you land on a show, how long are you going to give that before you flip to the next channel? On the radio, how long are you going to give a song before you flip to the next song?

Churn rates typically in a competitive environment are very high because there are so many options now.  I’m just like bouncing from thing to thing to thing to thing.  Back in the 1950’s when there was just radio, then people sit and listen to one radio station for hours and just listen to the radio dramas and news and they wouldn’t flip to anything because there was only one thing that they could do now with all the stuff that we have to do and all of the entertainment options, the over saturated tsunami of entertainment that is around us all the time. Churn rates are very high and that is bad for creators.

We now have to think of how we create.  How do we create a brand that lowers the churn rate of people?  How do we keep them engaged for longer and in more meaningful ways into our brand, into our stories.  That’s something very important because the longer you can engage the audience and the longer the valuable engagement takes place, the more chance you have to then convert them to that loyal audience member or ultimately to what I call a brand evangelist, somebody who is not just watching your stuff but actually helps market your stuff.  “Hey, did you see the new Game of Thrones this week?” “Hey you should check out this show  You should go watch this movie because it’s awesome.” If you can convert them into that, that’s the sweet spot because then you get people 1) loyal to your brand and 2) that are so loyal that they’re marketing your brand you start to solve some of that P and A [Prints and Advertising] issue we talked about earlier of having to rely on so much P and A because you’ve activated your fan base to do something valuable.  But you’re never going to activate a fanbase if they only engage with your stories 10 seconds at a time.

So now we have to slow that down, get them engaged and have that engagement be valuable.  And if you can do that, then all of the sudden you’ve separated yourself in the marketplace and solved a major problem in the industry which is these high churn rate issues.

Check out Houston’s book ‘Make Your Story Really Stinkin’ Big: How To Go From Concept To Franchise And Make Your Story Last For Generations

Film Courage:  So does this mean we keep our content shorter or give [the audience] breaks?

Houston Howard:  Well, it depends.  It depends on your content.  But the thing that people love most is story.  We live in an entertainment culture and people love story more than anything else.  Whereas attention spans may be seemingly low, they’re no longer low if you can engage them with story.  If you have a great story, they’ll watch it for 10 hours in a row. And that’s fine.  So a 10-hour binge watch is a very low churn rate, they’re watching for 10 hours.  They are not turning off.  This is where technique and craft come into play.  If you can understand how to hook them, hook them fast, give them new and better things are going through the story, then all of the sudden you’re starting to lower that churn rate but at the same time it’s how do we create multiple engagements that if you’re operating in just network television you have one 1-hour engagement every week and that’s it.  And so now between your one one-hour engagements you have a week in between, right?  If we can start filling that week with some other things. As a companion web series like they do on AMC.  Maybe a digital comic that gives them more valuable parts of the story that bridges the gap between episodes.  What you do every single time is you have your audience engage with valuable content, valuable story, then slowly you are going to start to lower their churn rate until you get them to the point that they will watch your stuff for 10 hours.  Typically they won’t do that at the beginning.  It’s a process to getting them to that point to where they will say “Okay, I’ll watch your stuff” “I’ll watch 60 hours of your content” through a binge watch you’ve spent the time and made the investment in the “me” as an audience member to a point to where I’m willing to give this investment into your brand.  And the only way to get to that point is to have as much and as many valuable engagements as humanly possible and the thing that they value most is story.  So it’s not just marketing and promotions.  That’s a big transmedia misconception and it’s all advertising and marketing.  It’s really story…the best is story-based stuff.  How do I create story-based engagement?  So at SXSW the show Bates Motel, they created a replica of the Bates Motel that you could actually rent out a room and stay in while you were in SXSW.  That’s cool marketing!  But it’s not transmedia because it didn’t give you more of the story because what happens is when it’s time to go to the festival, they would open the door and leave the room and come back and they had very limited time in the room.  But if some way the took a picture off of the wall to discover that Norman [Bates] had written a message behind that picture.  If they were to take the Gideon’s Bible out of the desk and it’s not a Gideon’s Bible at all.  And maybe there is an object in there. Maybe it’s a journal written by Norman that gives more insight into his character and some insight into some story lines.  There are creaky floorboard that you can pop up and stuff under there.  You flip over the mattress and there is stuff in the mattress, maybe stuff in the mattress you have to rip open and find.  If you can extend the story in such a way that the hotel room becomes part of the story…now…now what has happened is you’ve created longer points of engagement for that fan base.  And the fans that are in the room maybe don’t want to go outside because they whole room is part of the story that they love.  Presumably they don’t stay in the Bates Motel unless they watch (Watch the video on Youtube here).

 

Watch the video on Youtube here

Check out Houston’s book ‘Make Your Story Really Stinkin’ Big: How To Go From Concept To Franchise And Make Your Story Last For Generations

Special thanks to The LA Film School for allowing us to film this video interview on their campus.

BUY THE BOOK – MAKE YOUR STORY REALLY STINKIN’ BIG
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