NICO, 1988 – A Story of Rebirth: Artist, Mother, and Woman Behind the Icon

Trine Dyrholm in Nico, 1988 – A Magnolia Pictures Release. Photo courtesy of Magnolia Pictures

NICO, 1988 follows the singer-songwriter, approaching 50, leading a solitary existence in Manchester, far from her 60’s glam days as a Warhol superstar and celebrated vocalist for cult band The Velvet Underground. Her life and career on the fringes, Nico’s new manager Richard convinces her to hit the road again and tour Europe to promote her latest album. Struggling with her demons and the consequences of a muddled life, she longs to rebuild a relationship with her son, whose custody she lost long ago. A brave and uncompromising musician, Nico’s story is the story of a rebirth: of an artist, a mother, and the woman behind the icon. Get tickets here.

In Theaters August 1st, 2018

Trine Dyrholm in Nico, 1988 – A Magnolia Pictures Release. Photo courtesy of Magnolia Pictures

 

WRITER/DIRECTOR:

Susanna Nicchiarelli

PRODUCED BY:

Marta Donzelli, Gregorio Paonessa, Joseph Rouschop, Valérie Bournonville 

CAST:

Trine Dyrholm

John Gordon Sinclair

Anamaria Marinca

Sandor Funtek

Karina Fernandez

Calvin Demba

Francesco Colella 

Writer/Director Susanna Nicchiarelli and Actress Trine Dyrholm as Nico – A Magnolia Pictures Release. Photo courtesy of Magnolia Pictures

A scene from Nico, 1988 – A Magnolia Pictures Release. Photo courtesy of Magnolia Pictures

Advertisement – contains affiliate links

 

See it on Kickstarter here – The Last White Man is a feature film produced and written by Dean Tatulli and Mark L. Mazzeo. It is a dark satire/thriller with a focus on race, identity, and social politics in modern day America. Karl Gordon, an underemployed pizza delivery boy works in his quiet suburban hometown where romantic, professional, and social failures fuel his hatred for the changing world around him, setting him on a course that can only lead to carnage. The Last White Man is now crowdfunding on Kickstarter.

 

THE LAST WHITE MAN is a satirical look at how a misguided obsession with victim status can lead to violence.