Film Courage: Pascal, what is the difference between making a $500 movie versus an $85,000 movie?
Pascal Payant: Exactly the same. Seriously… it just goes to different aspects of it but it was not more complicated because when I do a film, I try to do it with the bare minimum. For example with ON THE HORIZON we made it for $85,000 but most of that money went for travel, actors, food, plane tickets and it goes fast like this [snaps his fingers]. So when it is time to do the budget it’s not that complex. So whether I am doing a $500 or $85,000 film, I am using exactly the same technique. I shoot the same way. The only thing I had was a bigger camera. But other than that, it was exactly the same process.
“I love doing short films. Short films are about finding your style and signature.”
Film Courage: Which camera was it?
Pascal Payant: I used the Red Dragon. I used it because I was debating. I was like “Should I go with Canon?” With the Red I chose it because I knew that my shoot would be chaotic, traveling all the time and I know that sometimes I might miss something. With the raw footage you can fix everything later, so that was a fail-safe.
Film Courage: With ON THE HORIZON you had it as a short film first and then you decided to make it as a feature film. Aside from making it a longer movie, did you notice that were things that surprised you with having this longer script in lengthening the film?
Pascal Payant: No. For me it was more…well let me say that I love doing short films. Short films are about finding your style and signature. I had an idea and I wanted to do it.
For instance with the short film for ON THE HORIZON, I shot that in like three hours and it came out amazingly. We shot in the desert. So when I did that I was in the process of finding my funding source for the feature film. I was searching for like $300,000. That’s a lot of money! With that idea I was like “Can I make this story?” with ON THE HORIZON and just reshape it to make it around $60,000 to $85,000.
I scaled it down and I was asking favors from people. I know it’s kind of a cliché but you ask people for favors, look for sponsors and it worked out. Sometimes by doing something an idea clicks. And when I did the short film version that was the revelation of “Oh, screw the $300,000.” Let’s make it for maybe $60,000 and I’m sure it’s going to be easier to find investors and it worked.
Film Courage: I often hear filmmakers say they want to make something but they don’t have the budget. That they make a film, it has to be a $1,000,000 plus project. How was it for you to come to that decision that if I am going to do this, this is all the budget I may get currently and I still want to make it?
Pascal Payant: Yeah, but I’ve been doing this for the past ten to fifteen years and I’ve always used the same technique. No crew. I do everything myself…..(hear more of Pascal Payant’s full interview on Youtube here).
More videos with Pascal Payant:
WATCH ON THE HORIZON:
iTunes
Google Play
Xbox
PS4
Vimeo
VHX
CONNECT WITH TYLER JOHNSON:
CONNECT WITH PASCAL PAYANT:
PascalPayant.com
IMDB
Facebook.com/pascalpayant
Facebook.com/onthehorizonfilm
Twitter.com/pascalpayant
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