Difference Between A Protagonist In Film Vs. Television by Daniel Calvisi   Film Courage:  Can we talk about the difference in creating a fascinating protagonist...

When A Script Option Stalls, What Does A Screenwriter Do Next? by Barrington Smith Seetachitt and Janice Rhoshalle Littlejohn   Film Courage:  You both are determined...

  Wrong Way To Break Into Hollywood by Houston Howard     Film Courage:  Once you came to Los Angeles you probably saw that for a lot of...

  5 Tips To Filmmakers Making Their First Feature Film by THE MASON BROTHERS Writer/Director Keith Sutliff   Film Courage:  Let’s suppose you attend AFM (American Film...

A Friendly Challenge To Any Screenwriter by CSUN Professor Eric Edson   Film Courage:  Why are there so many screenwriters opposed to structure?  Are they hurting...

When trying to be too perfect costs a script.  This video may help.     Don't Get It Right, Get It Written!   1:10 - Chapter 1 - Kick...

How Can A Director Tell A Good Script From A Bad Script? by Rhys Thomas   Film Courage:  When you’re presented with a script, how can...

Film Courage:  How do you feel on those days when you have no time to work on your writing? West Liang: I get really depressed. ...

Questions A Screenwriter Should Ask Agents and Managers by Lee Jessup Film Courage:  What about choosing an agent or manager? It's great to have one...

  Storytelling First, Screenplay Structure Second by Ric Roman Waugh, Writer/Director of SHOT CALLER  in Select Theaters and On Demand August 18th, 2017   Film Courage:  Ric, SHOT CALLER...
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