Film Courage:  You were doing re-writes for several years.  When did you first sell a script? Christine Conradt: Gosh...I don't think I sold a spec until...

Film Courage:  What advice do you have for a screenwriter when they sit down to start writing a screenplay? What are some things they should have...

Film Courage:  Let’s talk about inconsistency for creatives, versus the people that are so on the nose and so concise, but maybe they have...

Film Courage:  Okay...so at the time of this interview we are in 2017.  Is it better for screenwriter to focus on spec screenplays or...

Film Courage:  How do you structure your screenplays?  Is there a certain format you follow? A formula?   Blayne Weaver:  Yeah...you know, there are The Rules. ...

BPM (Beats Per Minute) Directed by Robin Campillo   2018 Official Oscar® Entry – FRANCE Best Foreign Language Film   **Winner - Grand Prix - Cannes Film Festival...

Film Courage: Gary, what’s the greatest script you’ve ever read and what happened to that script? Gary W. Goldstein:  Wow...You know, I’ve read a lot...

  Winner of the Palme d’Or at the 2017 Cannes Film Festival Official Oscar® Entry – Sweden, Best Foreign Language Film Directed/Written by Ruben Östlund   (FORCE...

  Film Courage:  Have you ever given up on a script because you’ve lost interest? Gary Goldstein:  Here and there…you know I generally don’t start writing...

Film Courage:  Do TV writers use structure when writing out episodes and a season? Jeffrey Davis:  I think I answered this earlier when I was...
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