Being A Successful Filmmaker Starts With Business by Mark Harris

Film Courage: To go into your story a little more, what businesses did you start before making...

Biggest Mistakes A Director Can Make On The First Day Of Production by James...

Film Courage: What are the biggest mistakes you’ve made on the first day of shooting?

The Problem With ONCE UPON A TIME IN HOLLYWOOD by Erik Bork

Film Courage: I’m hoping we can talk about the Quentin Tarantino film ONCE UPON A TIME IN...

Stunning Surprise One In A Screenplay by CSUN Professor Eric Edson [Screenwriting Masterclass]

In the first two weeks of the Fall semester, California State University, Northridge screenwriting professor Eric Edson presents PowerPoint...

What Makes A Great Movie Director? by David F. Sandberg

Film Courage: How do you get comfortable telling people what to do, especially if you feel like...

The 90-Day Screenplay: From Concept-To-Polish by Alan Watt [FULL INTERVIEW]

Film Courage: Alan, your bio says you taught screenwriting at a maximum-security prison? Alan...

Fastest Way To Learn Screenwriting by Matthew Kalil

Film Courage: What’s the fastest way to learn screenwriting? Matthew Kalil, Author/Screenwriter/Director: The fastest way...

It’s Better To Work With Hollywood Than Against It by Daniel Stamm

Film Courage: Someone on Twitter responded to one of our Tweets. The Tweet was for our video...

Advice To 20-Year-Olds On Being A Filmmaker by Gavin Michael Booth

Film Courage: What would you tell a 20-year-old filmmaker on the realities of making a living as...

A Hollywood Career Is A String Of Temp Jobs by Joe Wilson

Film Courage: Joe, do you still believe there will be blue-collar storytellers? Or have they already arrived?
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