How The Three Wells Can Help You Write A Screenplay by Matthew Kalil

Film Courage: You talk about the three wells in your book . How does someone know which...

How Does A Professional Screenwriter Approach The Craft? by Scott Myers

Film Courage: How does someone who wants to be a professional screenwriter approach it like a professional...

How Does Someone Know Their Movie Idea Sucks? by Erik Bork

Film Courage: What makes a great story? Erik Bork, Screenwriter/Author: Wow, that’s a great question....

Stunning Surprise Two In A Screenplay by CSUN Professor Eric Edson [Screenwriting Masterclass]

In the first two weeks of the Fall semester, California State University, Northridge screenwriting professor Eric Edson presents PowerPoint...

9 Reasons To Be A Writer by Josh Healey

Film Courage: Why do you write? Josh Healey, Writer/Producer/Comedian — The North Pole Show: Why do...

The Problem With ONCE UPON A TIME IN HOLLYWOOD by Erik Bork

Film Courage: I’m hoping we can talk about the Quentin Tarantino film ONCE UPON A TIME IN...

Stunning Surprise One In A Screenplay by CSUN Professor Eric Edson [Screenwriting Masterclass]

In the first two weeks of the Fall semester, California State University, Northridge screenwriting professor Eric Edson presents PowerPoint...

The 90-Day Screenplay: From Concept-To-Polish by Alan Watt [FULL INTERVIEW]

Film Courage: Alan, your bio says you taught screenwriting at a maximum-security prison? Alan...

Fastest Way To Learn Screenwriting by Matthew Kalil

Film Courage: What’s the fastest way to learn screenwriting? Matthew Kalil, Author/Screenwriter/Director: The fastest way...

A Hollywood Career Is A String Of Temp Jobs by Joe Wilson

Film Courage: Joe, do you still believe there will be blue-collar storytellers? Or have they already arrived?
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