Does The Hero In A Hollywood Movie Always Have To Win? – Mark Sanderson
Film Courage: What do you think about when you’re creating a protagonist versus an antagonist?
What Makes A Surprise Movie Ending Work? – Travis Seppala
Film Courage: What is connectivity in a screenplay? Why is that important?
Travis Seppala,...
Finishing 1 Screenplay Is Better Than Starting 10 – Naomi Beaty
Finishing 1 Screenplay Is Better Than Starting 10 - Naomi Beaty
Storytelling and The Age Of Aquarius – Pamela Jaye Smith
Watch the video interview on Youtube here
Film Courage: Pamela, I find it interesting that we’ve enter this...
What I Wish I Knew About Screenwriting When I Started – Joe Wilson
Film Courage: What is something about storytelling you wish you had learned earlier in your career or...
How A Writer Finds Their Voice — Kelli McNeil [FULL INTERVIEW]
Film Courage: Kelli what was going on in your life when you decided to live in California...
How To Write The Best Dialogue – Shane Stanley
Film Courage: How do you write good dialogue?
Shane Stanley, Filmmaker/Author/Instructor: I think the best dialogue...
How Does A Writer Find The Emotional Core Of Their Story? – Naomi Beaty
Film Courage: How does a writer create an emotional core for their story where the audience will...
Reality Of Pitching Movie Ideas In Hollywood — Mark Sanderson
Film Courage: What’s the biggest screenwriting pitch you’ve ever gone out on and what happened?
Flat Characters Versus Three-Dimensional Characters — Travis Seppala
Film Courage: Travis I’m wondering if we can talk about the levels of dimension in a character?...
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.png "How A Movie Director Can Improve A Script Before Production by James Kicklighter of DESIRES OF THE HEART")
