Does The Hero In A Hollywood Movie Always Have To Win? – Mark Sanderson

Film Courage: What do you think about when you’re creating a protagonist versus an antagonist?

What Makes A Surprise Movie Ending Work? – Travis Seppala

Film Courage: What is connectivity in a screenplay? Why is that important? Travis Seppala,...

Finishing 1 Screenplay Is Better Than Starting 10 – Naomi Beaty

Finishing 1 Screenplay Is Better Than Starting 10 - Naomi Beaty

Storytelling and The Age Of Aquarius – Pamela Jaye Smith

Watch the video interview on Youtube here Film Courage: Pamela, I find it interesting that we’ve enter this...

What I Wish I Knew About Screenwriting When I Started – Joe Wilson

Film Courage: What is something about storytelling you wish you had learned earlier in your career or...

How A Writer Finds Their Voice — Kelli McNeil [FULL INTERVIEW]

Film Courage: Kelli what was going on in your life when you decided to live in California...

How To Write The Best Dialogue – Shane Stanley

Film Courage: How do you write good dialogue? Shane Stanley, Filmmaker/Author/Instructor: I think the best dialogue...

How Does A Writer Find The Emotional Core Of Their Story? – Naomi Beaty

Film Courage: How does a writer create an emotional core for their story where the audience will...

Reality Of Pitching Movie Ideas In Hollywood — Mark Sanderson

Film Courage: What’s the biggest screenwriting pitch you’ve ever gone out on and what happened?

Flat Characters Versus Three-Dimensional Characters — Travis Seppala

Film Courage: Travis I’m wondering if we can talk about the levels of dimension in a character?...
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