Film Courage: To be on set and see someone’s power usurped?
Brad Sykes, Writer/Director: Yes, to see scenes were literally there was an actor who had make-up on that he wanted to do and the producer wanted to do and one of the producers found it offensive. She was like a devout…(Watch the video interview on Youtube here).
Brad Sykes got his first hi-8 camera at age fifteen, and hasn’t stopped shooting since. Growing up in Virginia Beach, Virginia, Brad made eight features on video (many of which involved Karo syrup, red food coloring and stunts of dubious safety) while still in high school. He attended Boston University’s film program in 1993 and by the time he graduated cum laude in 1997, he had already worked for both Paramount Pictures and Ridley and Tony Scott’s Scott Free Productions. After moving to Los Angeles, Brad continued to work in film in various capacities both here and abroad (a stint at Castel Film, Romania) before landing his first writing-directing job in 1998. By 2000, he was writing and directing full-time, with many genre credits such as DEMON’S KISS, MAD JACK, and the well-known CAMP BLOOD. Brad has continued to make his mark in horror with more recent projects like DEATH FACTORY, GOTH, WITHIN THE WOODS and MUTATION. His films have been distributed worldwide and can be found at rental outlets like Blockbuster and Netflix. Brad’s films have received attention in many publications including Fangoria, The Dark Side, Indie Slate, Rue Morgue, Videoscope, LA Weekly, Mad Movies, and Legacy of Blood: A Comprehensive Guide to Slasher Movies. Brad lives in Los Angeles with his wife, producer Josephina Sykes, where they operate Nightfall Pictures, a full-service development and production company.
Terror in the Desert: Dark Cinema of the American Southwest by Brad Sykes
Check it out on Amazon here:
Advertisement – contains affiliate links
(As an Amazon Associate I earn from qualifying purchases)
SCIFI HORROR SEQUEL ‘MANDAO RETURNS‘ NOW STREAMING ON AMAZON PRIME
This is the third feature from Writer/Director Scott Dunn and Producer Gina Gomez Dunn. They successfully raised funds for the sequel via Kickstarter and managed to complete production only 2 days before all film productions shut down due to the pandemic. Because of the lockdowns, Scott Dunn had to tackle post-production by himself (editing, color correction, effects, and sound) and release the flick in time for the holidays.