Gary W. Goldstein: Whether I am a screenwriter or some other form of creative, I think one of the key disciplines is to understand that discipline is key. And that is to say you should find out what works best for you. Are you a morning person? Are you a late night writer? I’m not creative late at night. I like being up but I’m not creative…I write like a fiend when I have that early morning coffee, because all night it has been percolating for me (but that’s not true for everybody). But if that is who you are, then make damn certain that you’ve gone to bed at a reasonable hour and that you’re up and you’ve gotten your stuff done and now at 6:00 in the morning or 7:00 in the morning or whatever it is, you’ve set aside and you’ve turned your phone off and that you’ve absolutely put these soundproof walls around you (literally and figuratively) so that you have two-three hours of intensely productive time on a consistent daily basis. If you do that…because it’s a game of inches…and if you do that, instead of being the person who is laboring over a script and rewriting it for three years non-stop or you’re doing a lot of first drafts and you are on your 12th script this year, those are not the indicators of success. But if you’re someone who has got that kind of discipline and you say ‘How much can I improve this?’ We know that writing is rewriting, but up to a point. So how many drafts? If I can do this every day and then I set it aside and move onto the next one. I may come back to that with proper inspiration.
“If you can do that, what you can accomplish in a short, one-year period will put to shame most people who don’t have that discipline, who don’t know themselves and give themselves a framework to be productive.”
But if you can do that, what you can accomplish in a short, one-year period will put to shame most people who don’t have that discipline, who don’t know themselves and give themselves a framework to be productive.
Question for the Viewers: What time of day do you write?
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Writer’s Guide To Hollywood
Lazar works as a ‘decoy’ or ‘bait’ who distracts the police and oversees the transfer of illegal immigrants across the border with the EU. Intelligent and discreet, he lives under the patronage of a local mobster and is able to support his family with the money he makes from trafficking. He falls in love with a young student, a stranger to his world, and contemplates changing his life. One night, his brother Toni is responsible for the drowning of one of the immigrants. Lazar is called to help and is faced with an impossible decision.
The Cyclotron is a thriller that takes place at the end of the Second World War. Simone, a spy working for the Allies, is entrusted with the mission to find and execute Emil, a scrupulous Berlin scientist who discovered before the Americans the way to build an atomic bomb, and is fleeing with his secret. Simone finds him on a night train speeding towards Switzerland. German soldiers, led by König, a German scientist, who want to arrest Emil and make him talk before he leaves the country, are also chasing him. Things get complicated when memories of love and quantum mechanics get intertwined in the pursuit.
BNB Hell tells the story of a young woman’s hunt for her missing sister ends at a rundown bed and breakfast in the Hollywood Hills run by an ill-tempered woman called Mommy. Disturbing messages left by former guests suggest unsettling secrets lay buried there.
Show Business is an American comedy that follows screenwriter Guy Franklin as he moves from NYC to LA with his fiancé. It should be a great gig but Guy soon realizes that being in Show Business and balancing his life love is easier said than done – a movie by Composer/Filmmaker Alexander Tovar