Film Courage: How often do you write?
Gary Goldstein: Oh, that’s a good question! People always say “How can you be so disciplined to sit in your office and write all the time?” Well I don’t write all the time. But I always say, if I don’t write, it doesn’t happen. Not like going into an office and having a job and having specific tasks and things like that and having meetings set up for you.
Writing on a TV staff is a little different, but if you’re basically writing (whether it’s on spec) or writing on assignment and you are in your own space, you have to get the work done. You have to create and it’s your schedule. So I find when I’m on a tighter deadline, I write much more. I write much faster. I’m up earlier. I’m up later. A certain amount of adrenaline takes over where you just get it done. If I’m not on an assignment and I’m writing something for myself or I’ve got a little time for something or I’m preparing for a meeting that is a week away instead of tomorrow. I’ll take a little more time,but basically (everyday) I’m always in work mode and I’m always working on something, writing something, putting pictures together (watch the video interview with Gary here on Youtube for more).
Find out more about Gary Goldstein’s play APRIL, MAY and JUNE here.
Gary Goldstein is an award winning writer for film, TV and the stage. He has written numerous films for Hallmark Channel and its sister network, Hallmark Movies & Mysteries, including the comedies “The Wish List,” “Hitched for the Holidays,” “This Magic Moment” and “My Boyfriends’ Dogs,” and the first two films in the “Flower Shop Mystery” series: “Mum’s the Word” and “Snipped in the Bud,” starring Brooke Shields.
Gary’s feature film “Politics of Love,” a romantic comedy set during the 2008 U.S. Presidential election, was released in theaters August 2011. He also wrote the feature romantic comedy, “If You Only Knew,” which starred Johnathon Schaech, Alison Eastwood and James LeGros.
In addition, Gary has sold or optioned a number of original screenplays, has a string of episodic TV credits and has sold half-hour comedy pilots to both NBC and Warner Bros Television.
On the L.A. stage, Gary has been represented with the comedies “Just Men,” “Parental Discretion” and “Three Grooms and a Bride.” His family drama “Curtain Call” premiered in late 2008 at Carmel, CA’s Pacific Repertory Theatre. His newest play, the three-sisters dramedy “April, May & June,” will have its World Premiere in March 2017 at Theatre 40 in Beverly Hills, as part of its 2016-17 subscription season.
Gary is also a freelance film reviewer and feature writer for the Los Angeles Times.
THE BEAT OF THE BAT is a full-length documentary that tells the story of the music of the 1966 “Batman” Television Series and how composers Neal Hefti, Nelson Riddle & Billy May gave Batman his first real musical identity- and one that has remained inexorably tied to the character for over 50 years!
In fact, if you saw the just released “Lego Batman Movie” you might have noticed the numerous references to the music of the TV series.
And face it, you can go up to anyone, anywhere in the world and sing “Na Na Na Na Na Na Na Na!” and they will instantly know what you are talking about!
The music was as important to the show as the bright colors, campy dialogue and tongue-in-cheek performances. Yet, strangely, the story of how it came to be has never been told… Until now.
EXODUS documents the journey of Syrian refugees as they cross the Aegean Sea from Turkey into Greece. In the winter of 2015, over three thousand refugees attempted this treacherous crossing everyday, all in hope of seeking asylum in the European Union. It’s a life and death gamble that they are willing to take, all for a chance at a new life away from their war-torn homeland.
FREAK OUT: Matan, a soldier in the IDF, sets off for a week of patrolling in a remote base in the north of Israel with three soldiers whom he doesn’t know. As the week progresses, the soldiers begin to question whether they will come out of this experience alive.
THE HOLLY KANE EXPERIMENT: An obsessive psychologist attempts to reprogram her subconscious mind, but when her actions become increasingly uncharacteristic she fears her experiment is dangerously out of control.
AMERICAN TRIAL seeks to discover what a trial in the Eric Garner case might have taught us. How is our legal system designed to handle cases such as Garner’s? What verdict may have been returned after all the evidence was presented? More importantly, what conversations, perspectives and emotions went unexamined because of the grand jury’s decision?
Similarly to fiction courtroom dramas, the lead characters of this documentary will be the attorneys leading the prosecution and the defense. Our camera will capture them as they develop their public arguments and individual positions. How do they decide which witnesses to summon? How do they prepare for their court appearance? Are there any discrepancies between their systemic role and their true feelings regarding the case?
The film will also follow a news crews covering the trial and reporting on race relations in America within the context of the trial and the movement for black lives. They will travel across America to discover what public figures, intellectuals and activists think about the Eric Garner case, as well as other similar cases through the prism of racial relations in the United States.