Filmmakers often have two questions, how do you get a film financed and how do you get distribution? This video addresses the second question by having filmmakers themselves tell us how they found distribution for their movies. In addition to those stories, these filmmakers also provide us an unfiltered look at how they see independent film distribution.
(P.S. – Here‘s a video on how filmmakers found financing)
0:00 – Introduction
0:59 – Bill Duke
4:08 – Patrick Creadon
9:30 – John Schneider & Alicia Allain
15:08 – Lydia Smith
23:51 – Hunter Weeks
31:07 – Blayne Weaver
34:16 – Janet Grillo
35:37 – James Cullen Bressack & Zack Ward
38:39 – Sean Dunne
40:49 – Justin Lerner
43:23 – Alan Howard
44:00 – Paul Osborne
48:47 – Chris Byrne & Diane Bell Byrne
56:18 – Pascal Payant
1:00:05 – Jeff Krulik
1:04:16 – Mike Hedge
1:06:32 – Andy Gillies & Joe Haas
1:14:36 – Mike Hedge
1:19:21 – Raj Amit Kumar
1:20:23 – Brian Jun
1:23:24 – Chris Byrne & Diane Bell Byrne
1:26:49 – Emily Best
1:31:33 – Michael C. Donaldson & Lisa A. Callif
LEFT ON PURPOSE – Midway through the filming of a documentary about his life as an anti war activist, Mayer Vishner declares that his time has passed and that his last political act will be to commit suicide— and he wants it all on camera. Now the director must decide whether to turn off his camera or use it to keep his friend alive. Left on Purpose is an award winning feature length documentary that confronts the growing issues of aging, isolation and end of life choices through an intense character driven story of the relationship between filmmaker and subject. With humor and heart it provides a rare cinematic look at what it means to be a friend to someone in pain.
THE SPECIAL NEED: Enea is 29. He has blue eyes, likes trucks, and loves girls. He hasn’t found the right one yet. Still he has never stopped looking for her. One more thing about Enea: he is autistic. One day, after taking a photo of a girl on the bus, he is pushed to the ground by her boyfriend. Enea’s therapist convinces his mom that the time has come for the man to cope with his sexual desires. Enea’s friends Carlo and Alex get involved and try to find a way for Enea to have sex in a safe and legal environment.
PROBLEMSKI HOTEL: For the inmates of the multinational residential center somewhere in Europe, the circular, black comedy that is the cross-frontier migrant’s life ‘within the system’ becomes even blacker in December. For we are in the European ‘season of gladness and joy.’ Bipul doesn’t want to admit it to himself, but the Russian girl’s arrival makes a difference: Lidia. Hope? Surely not! A future? Get real! December is also the ninth month of Martina’s pregnancy. Pregnancies don’t go round in circles; they end in eruptions. Because when the situation is hopeless, rescue is near.
SURVIVING SKOKIE: They survived the horrors of the Holocaust and came to America to put the past behind. For decades they kept their awful memories secret, even from their children. But their silence ended when a band of neo-Nazi thugs threatened to march in their quiet village of Skokie, Illinois “because that is where the Jews are.”
Surviving Skokie is an intensely personal documentary by former Skokie resident Eli Adler about the provocative events of the 1970s, their aftermath, his family’s horrific experience of the Shoah, and a journey with his father to confront long-suppressed memories.