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Cinematography & Cameras

Filmmakers Talk Cameras and Gear

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This playlist includes the following videos – if you’d like to share your camera experience, please contact FilmCourage.com here.

(Watch the videos on Youtube here)

A First Time Filmmakers Experience With A RED Epic by Jack Marchetti

A First Time Filmmakers Experience With A RED Epic by Jack Marchetti

Cinematographer Pipas Forjaz Shares His Experience Working With RED Cameras
Over The Last 7 Years

Cinematographer_Pipas_Forjaz_Shares_His_Experience_Working_With_RED_Cameras_Over_The_Past_7_Years_filmcourage_camera_technology_dp_cinematic_arts_cinematographer

Pros and Cons of the RED 6K DRAGON by Pascal Payant

Pros_and_Cons_of_the_RED_6K_DRAGON_Pascal_Payant_filmcourage_technology_camera_cinematography_director_cinephile_

4 Reasons To Buy A Panasonic GH4 Camera by Ryan Haggerty

4_Reasons_To_Buy_A_Panasonic_GH4_Camera_Ryan_Haggerty_gear_tech_tips_technology_news_

Why I Bought A Black Magic Camera Over Renting A RED Camera (includes test footage)

Why_I_Bought_A_Black_Magic_Camera_Over_Renting_A_RED_Camera_filmcourage_dslr_tech_news_technology

Canon C300 Is The Best Camera I’ve Ever Used For Natural & Available Light by Dean Peterson

Best_Camera_I’ve_Ever_Used_For_Natural_Available_Light_Dean_Peterson_Canon_C300_Filmmaking_Cameras_DSLR_Tech_Gadget

iPhone Filmmaking Advice by TANGERINE Filmmaker Sean Baker

iPhone_Filmmaking_Advice_TANGERINE_Filmmaker_Sean Baker_starlet_movies_dslr_filmcourage_tips

Recording Sound with a Zoom H6 and Rode NTG3 on a Movie Set by Justin Arbabi

Recording_Sound_with_a_Zoom_H6_and_Rode_NTG3_on_a_Movie_Set_Justin_Arbabi_filmcourage_independent_film_cinema_sound_guy_set_life

How To Get The Best Sound On A Movie Set by Production Sound Mixer Mark Ulano of THE HATEFUL EIGHT

How_To_Get_The_Best_Sound_On_A_Movie_Set_by_Production_Sound_Mixer_Mark_Ulano_THE_HATEFUL_EIGHT_filmcourage_sound_engineering_tips

OZO Is The Right Virtual Reality Camera At The Right Time by Guido Voltolina

OZO_Is_The_Right_Virtual_Reality_Camera_At_The_Right_Time_Guido_Voltolina_VR_tech_news_technology_filmcourage_3D_Stereoscopic

Virtual Reality Gives People The Chance To Revisit The Past by Guido Voltolina

Virtual_Reality_Gives_People_The_Chance_To_Revisit_The_Past_Guido_Voltolina_nokia_ozo_filmcourage_3d_vr

Blackmagic URSA on the DEADLY REUNION Movie Set

Blackmagic_URSA_on_the_DEADLY_REUNION_Movie_Set_filmcourage_indie_film_set_life_camera

What It Was Like Being One Of The First Filmmakers To Use The RED Camera by Mike Hedge

What It Was Like Being One Of The First Filmmakers To Use The RED Camera by Mike Hedge_filmcourage_dslr_35mm_scarlett_photo_films

Best Tips For Taking Care Of A Movie Camera by A.J. Rickert-Epstein

Best Tips For Taking Care Of A Movie Camera by A.J. Rickert-Epstein_Cinematography__Advice_Filmcourage_Compound_Fracture_Filmmaking_DIY

Passing A Camera From Car To Car While Filming A Car Chase by Gareth Evans & Iko Uwais of THE RAID 2

Passing_A_Camera_From_Car_To_Car_While_Filming_A_Car_Chase_Gareth_Evans_Iko_Uwais_of_THE_RAID_2_Berandal_filmcourage_martial_arts_movie(1)

DSLR Tips For Filmmakers by Kevin Knoblock

DSLR Tips For Filmmakers by Kevin Knoblock_Camera_Tips_Filmcourage_Movies

The Best DSLR Tips For Beginners by Andy Gillies & Joe Haas

The_Best_DSLR_Tips_For_Beginners_Andy_Gillies_Joe_Haas_FilmCourage_Independent_Filmmaking_Camera

Filming A Movie With Two Red Cameras by Dan Mirvish

Filming A Movie With Two Red Cameras by Dan Mirvish

We Shot QUICK TO DUCK On The Red Camera With A 4 Person Crew by Robin Mountjoy

We Shot QUICK TO DUCK On The Red Camera With A 4 Person Crew by Robin Mountjoy Film Courage Steve Guttenberg

Why I Bought A Red Scarlet by Ryan Koo

 Why I Bought A Red Scarlet by Ryan Koo NoFilmSchool Film Courage DSLR Camera

I Can’t Wait To Try The Black Magic And C300 by Nicolas Alcala

I Can't Wait To Try The Black Magic And C300 by Nicolas Alcala The Cosmonaut Camera DSLR Film Courage Director

No One Thought The Digital Bolex D16 Was Possible by Elle Schneider & Joe Rubinstein

No One Thought The Digital Bolex D16 Was Possible by Elle Schneider & Joe Rubinstein Film Courage Camera DSLR Cinema

Comparing The Digital Bolex D16 To DSLR Cameras by Elle Schneider and Joe Rubinstein

Comparing The Digital Bolex D16 To DSLR Cameras by Elle Schneider and Joe Rubinstein Film Courage

100 Changes To The Digital Bolex D16 by Elle Schneider & Joe Rubinstein

100 Changes To The Digital Bolex D16 by Elle Schneider & Joe Rubinstein Film Courage

How We Are Keeping The Cost Down On The Digital Bolex by Elle Schneider & Joe Rubinstein

How We Are Keeping The Cost Down On The Digital Bolex by Elle Schneider & Joe Rubinstein Film Courage

Fixed Focus Fixed Aperture Lenses For Digital Bolex D16 by Elle Schneider & Joe Rubinstein

Fixed Focus Fixed Aperture Lenses For Digital Bolex D16 by Elle Schneider & Joe Rubinstein

Expect Hidden Features With Digital Bolex D16 Release by Elle Schneider & Joe Rubinstein

Fixed Focus Fixed Aperture Lenses For Digital Bolex D16 by Elle Schneider & Joe Rubinstein Film Courage

An Unforgettable Camera Trick Used In A Horror Film by A.J. Rickert-Epstein

An Unforgettable Camera Trick Used In A Horror Film by A.J. Rickert-Epstein_Filmcourage_Compound_Fracture_cinematography_tips_Director_Of_Photography

Filming A Movie On An iPhone – Lessons from TANGERINE Filmmaker Sean Baker – Full Interview

Filming A Movie On An iPhone - Lessons from TANGERINE Filmmaker Sean Baker_Starlet_Independent_Filmcourage_indie_movies

Nobody Knew We Filmed TANGERINE With An iPhone Until After Its Sundance Premiere by Sean Baker

Nobody_Knew_We_Filmed_TANGERINE_With_An_iPhone_Until_After_It’s_Sundance_Premiere_Sean_Baker_filmcourage_independent_filmmaking_camera_tips

Why I Decided To Shoot My 5th Feature Film On An iPhone by Sean Baker

Why_I_Decided_To_Shoot_My_5th_Feature_Film_On_An_iPhone_Sean_Baker_filmcourage_independent_filmmaking_tips_

Shooting A Feature Film On A Canon T2i by Tom Sachs of A SPACE PROGRAM

Shooting A Feature Film On A Canon T2i by Tom Sachs of A SPACE PROGRAM_filmcourage_dslr_filmmaking_van_neistat_tech_cameras

Canon C100 Was The Perfect Camera For A Debut Feature (And To Capture Clowns) by Evan Kidd

Canon_C100_Was_The_Perfect_Camera_For_A_Debut_Feature_And_to_Capture_Clowns_Evan_Kidd_filmcourage_cameras_technology_filmmaking_dslr

Affordable Filmmaking Gear For Beginning Filmmakers by B.L. Garrett

Affordable_Filmmaking_Gear_For_Beginning_Filmmakers_B_L_Garrett_nikon_olympus_panasonic_dslr_cameras_dslrs

What Filmmakers Will Love About The OZO Virtual Reality Camera – Full Interview with Guido Voltolina

What Filmmakers Will Love About The OZO Virtual Reality Camera - Full Interview with Guido Voltolina_Nokia

Top 4 Reasons I Bought A Black Magic Production Camera For My Next Movie by Kyle Valle

Top_4_Reasons_I_Bought_A_Black_Magic_Production_Camera_For_My_Next_Movie_Kyle_Valle_MewNow_TV_Cameras_tech_dslr_filmmaking_camera

Why I’m Excited To Film My Next Movie With The Canon C300

and Nikkor Lenses by Oscar Robles

Why_I’m_Excited_To_Film_My_Next_Movie_With_The_Canon_C300_Nikkor_Lenses_Oscar_Robles_camera_gear_filmmaking_tips_dslr_camera

Why We Filmed Our Web Series On A Canon C100 by Kalani Hubbard

Why_We_Filmed_Our_Web_Series_On_A_Canon_C100_Kalani_Hubbard_filmcourage_rocketship_radio_filmmaking_cameras_technology_indie_bands_webseries

Blackmagic Production Camera Is A Great Camera For First Time Filmmakers

by Michael Matteo Rossi

Blackmagic_Production_Camera_Is_A_Great_Camera_For_First_Time_Filmmakers_Michael_Matteo_Rossi_filmcourage_cameras_dslr_technology_how_to

Canon 7D: Shooting A Music Video by Val Borovinskiy

Why_I_Chose_A_Canon_7D_For_A_Music_Video_Val_Borovinskiy_filmcourage_cameras_technology_dslr_filmmaking_cameras_

Canon 7D: Shooting A Sci-Fi Horror Film (Lenses Included) by Christopher Moonlight

Canon_7D_Shooting_A_Sci-Fi_Horror_Film_Lenses_Included_Christopher_Moonlight_filmcourage_cameras_technology_gadgets_dslr_filmmaking

 Shooting A Movie On A RED Epic Dragon by Dana Brawer

Shooting_A_Movie_On_A_RED_Epic_Dragon_Dana_Brawer_filmcourage_camera_film_and_video_gadgets_technology

Tips On Raising Money For A Movie by Will Addison & Ben Matheny

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Hi, Mom!” Zooppa has partnered up with T-Mobile on a brand new project! T-Mobile gives its customers unlimited data and texting in over 140 countries and destinations—at no extra cost. T-Mobile wants to inspire those customers to travel and get off-the-beaten path—to be explorers, not tourists—and unlock adventures they can share when they take their phones. The ‘Hi, Mom’ project focuses on sharing the most extreme moments of adventure outside of the United States with family and friends back at home.

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Watch THE WEEKEND SAILOR on VOD January 10, 2017

THE WEEKEND SAILOR is a new feature documentary about the unexpected victory of the Mexican yacht Sayula II in the first crewed sailing race around the world in 1974. The most demanding sailing quest in history.

Sailor, Ramon Carlín visits his rebellious son, Enrique in the United Kingdom and comes across a magazine advertising a sailing race around the world. Although he had been sailing casually for two years, Ramon embarks on this race and brings his son along as an opportunity to not only teach him discipline but real life experiences as well.

Watch CATCH 22: based on the unwritten story by seanie sugrue – coming soon on January 17, 2017

Catch 22: based on the unwritten story by seanie sugrue: With Hurricane Sandy looming on the horizon, five hard-lived friends come to from a send-off celebration alongside an unexplained dead girl. What are friends for?

Find out more here!

Teenage Mutant Ninja Turtles (TMNT): Zooppa and Nickelodeon are inviting filmmakers and motion graphic artists from around the world to reimagine TMNT on a global scale through depicting what they are up to in various home towns or cities. The goal is to show how the Turtles would come to life in any given location, using local city or pop culture influences to help tell the story. Zooppa and Nickelodeon are looking for imagination and creativity, the videos made should be a fun way to share Turtle stories from across the globe––authenticity is key!

The project is open for submissions until February 23rd, 2017 at 4:00PM PST. There are $25,000 in cash awards available to the top 10 videos that will be chosen by Nickelodeon.

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