On Tuesday May 8th, 50 directors and their teams spread out among 28 public schools in Pasadena, California to document “Go Public: A Day in the Life of PUSD.” The plan was to follow a wide-ranging group of individuals who participate in the School District, be it Teachers, students, principals, administrators, school workers, volunteers and any others that make a public school district function. An introduction to all of those that think they know, but haven’t actually stepped into a public school for a long time. Each Director is assigned to make a short film of their subject which will then be presented on the website, afterwards all the footage will be collected by Producers Dawn and James O’Keefe of Blue Field Productions to create a feature documentary that will (according to their Mission Statement), be “a window into the world of one urban school district, the many dedicated people, the myriad of opportunities available and the complexity of effectively serving the needs of all students.”
When I was introduced to the project I knew immediately I needed to get involved. My two daughters have gone through the Pasadena Public School System from kindergarten to high school graduation and now are successfully getting their degrees at Occidental College, (in fact, my eldest just graduated “Cum Laude” with plans to teach in public schools). Both my parents were public high school teachers. I believe in public education, especially in Pasadena.
However, after co-producing the 13-part series, “Senior Year” in 2000-2002 for PBS and just recently completing “Senior Year: Ten Years Later,” I wanted to follow a different story then students and teachers, which had been the center of our series. I had recently been amused by a statement from then Republican Candidate Newt Gingrich, “most of these schools ought to get rid of the unionized janitors, have one master janitor and pay local students to take care of the school. The kids would actually do work, they would have cash, they would have pride in the schools, they’d begin the process of rising.” Well, I wanted to explore that idea, on a regular school day in Pasadena could a kid do a janitor’s job.
My team (of 2) and I met the custodian Felix Lopez at Washington Middle School at 5:30 am on May 8th, the day of filming. He unlocked the chains and opened the gates to the parking lot, just like he does every morning and just like each day at the school, he never stopped working once the gates were open. “I like to see this place clean,” he told me later in the day, “the environment clean really helps. When the parents say what a beautiful school, it makes me feel good.” Lopez is a Mexican immigrant, one of ten brothers and a sister, he grew up poor and attended school only up to 4th grade. “English language was so difficult for me, but I learned by listening, especially PBS. The proper English from England, so many good shows.” He still donates to PBS every year. I liked that.
Marilyn, Jackelyn, and Carolyn Travis
Vice Principal Eric Gothold said, “Feliz Lopez goes out of his way to provide a clean and safe environment for our kids, but he also takes every opportunity to teach them as well, life lessons, skills, conversation and compassion.” He’s right, everywhere Mr. Lopez went around the school (picking up trash, sweeping the floors, washing down the lunch tables) students and teachers greeted him and he knew each of their names. One eighth-grader we interviewed said, “Felix, he’s an awesome dude. I came here every morning, he helped me with Spanish a little bit. He keeps you out of trouble, he influences me.” His friend added, “Nobody wants to be bad in front of him, it disappoints him. Some kids are disrespectful to their teachers, but they’re never disrespectful to Felix. He’s a good person.”
We didn’t go to Felix’s house out of respect for his wife. Her Mother was very sick and she was emotional and concerned about the possibilities of losing her. That wasn’t the documentary I was making. However, we did follow Mr. Lopez as he picked up his daughter at John Muir High School in Pasadena. She is a Sophomore and is a terrific writer for the school newspaper. Her plans are to go to college to study Architecture. He also has two grown sons in their twenties who no longer live at home. It isn’t hard to see the love he has for his family, especially his daughter. “If we want to learn, we’re going to learn. If we don’t want to learn, we won’t. I want someone to be better then me, anyone, I’m so proud when someone does well, doesn’t matter rich or poor, but you have to want it. I’m keeping this place nice and clean for all of you.”
Eric Mofford is a producer and director that has been involved in over 50 film, television and on-line productions and numerous music videos. He has worked as an Assistant Director and Production Manager on another 30 feature films and television programs, including the emmy award-winning 24, CLOCKWATCHERS, KALIFORNIA and DAUGHTERS OF THE DUST. He has recently completed producing FINDING HOPE, a pilot for television, directed by Diane Namm, with Chris Mulkey and Molly Quinn. Previous producing credits include the EMMY nominated, award winning feature documentary HOUSTON WE HAVE A PROBLEM (now on Netflix); the live action portions for the EA video game, NEED FOR SPEED: UNDERCOVER, with Maggie Q; MANDALA, a five camera live concert performance by world musician, David Arkenstone (also Directed); and the low budget comedy feature film, TALES FROM THE CATHOLIC CHURCH OF ELVIS, written, directed and starring Mercy Malick. Previous producing credits include BLACK. WHITE. for FX television, EXTREME MAKEOVER:HOME EDITION for ABC and the IFC critically acclaimed comedy series, MINOR ACCOMPLISHMENTS OF JACKIE WOODMAN. In 2001, he co-produced the 13-part documentary series, SENIOR YEAR for PBS. He served as the Supervising Producer on the film, WE’LL ALWAYS HAVE DINGLE, shot in Kerry County, Ireland.
Mofford’s directing career began in live theater with many critically acclaimed productions including plays written by Samuel Beckett, Alan Ball, Teresa Rebeck, Keith Reddin, Neil Bell, Sam Sheppard and Thorton Wilder. His dramatic blues film, TRAVELIN’ TRAINS, aired nationally on A&E and won a dozen national and international film festival awards including the CINE Golden Eagle. He has written and directed projects for Disney Interactive, Saban Entertainment, The Discovery Channel, Image America, Why Communications, United Way, the Atlanta Project, Georgia Institute of Technology and Crawford Communications. He is a member of the Directors Guild of America. In June, 2010 he received the RAWARTISTS award.
Eric has taught numerous media workshops (including the International Film and Television Workshops) and been a panelist on funding councils and numerous film festival seminars. In 1998, he was a judge at the Nashville Film Festival and in 2007 he was Associate Festival Director for the Independence Film Fest. For the last 5 years, he has been mentoring filmmakers with an individualized, tutorial-based instruction program One on One Film Training. Mofford has a production blog for Unconventional Media, his production company, at UnconventionMedia.Wordpress.com
Born in Stoneham, Massachusetts, a graduate of Emerson College with a BFA in film, Eric still considers his best and most challenging work to be raising his two daughters.
Earlier this year Eric started his own production company Unconventional Media, LLC. One of the first jobs was to produce the Electronic Arts (EA) video game, “Need for Speed:Undercover.“ I produced all the Live Action segments, the car racing stuff is all animation.
You can review his resume at Eric Mofford.com.